Unparalleled Mr Paul Goodwin, the constructor and owner of Perkune Audiophile Cables, at the end of October this year sent to me from Vilnius his latest symmetric cables. A pair of Perkune Audiophile Cables Ultimate XLR with a length of one and a half meters, so hence the audiophile XLR review.
As Paul writes: “The Ultimate XLR GOLD” offers an unmatched music reception level for an advanced audiophile. Improved sound stage, clarity, instrument position and a real sense of realism. Awareness of a real 3D experience and totally engaged in the music presentation. New and exciting, which makes it perfect for an audiophile who wants the best. “
The cables were delivered in a regular carton – they come via Lietuvos Paštas or Lithuanian Post. When buying a Perkune cord, the shipment is already included in the price. Usually, the package takes about 3-4 days from the date of dispatch. In the carton, the cables are wrapped in a plastic bag, the plugs are additionally secured with small plastic bags. Simple but effective!
The cables look very solid and covered with black braids (in contrast to the lower series, where dark green coats are used). The XLR plugs have tightened black rubber flanges at the connection point with the cables. audiophile XLR review
The cables used are silver-plated copper OFC 99.99%. Three-level AirGap insulation was used (range from connector connectors to connectors of the second plug). This construction technique is used to minimize static and external disturbances. Thanks to this, the cable can reveal the smallest details and information from music. You can read more about AirGap insulation technology here
The plugs used are Japanese production. As Paul wrote in a letter to me, “These plugs are brilliant and it’s much easier to work with than Neutrik.” Everything internally is gold-plated – pins and the inner clamp. And much better for connections. Significantly, they also have a larger size for cable handling. The new cable now has three levels of insulation (AirGap) and runs all the way to the top of the XLR connection. And called ‘tip to tip’ connection. During testing, this connection gave better performance resulting in a high quality sounding cable.
- Cable size: 14.0 mm.
- Type: Noiseless.
- Conductor: 3 x 0.35 mm2 (Plated OFC 99.99%) comprising 11 x 0.2 mm strands.
- Resistance: 0.060 Ohms/meter.
- Capacitance: 55 pF/meter.
- Insulation: Compact PE with a tinned copper braided shield.
- First line: Aluminum Foil sheathing.
- Primary & Secondary AirGap: DERAY-PBFSP.
- Outer sheath: CanuFlex PB-HB. (Black covering).
- Certificates: 2002/95/EC, 2011/65/UE, CEI 20-22/11.
I have always wondered what exactly (applied material, technology, sophisticated weaves, dialectics, everything together?) Affects the final price of audio cables. The price range of available cables on the market is enormous.
You can buy, for example, good interconnects for just over a dozen zlotys (I am thinking here mainly of those made of professional cables such as Klotz, Van Damme, Sommer Cable, etc.) but there are also such expensive giant money (Siltech Royal Signature Emperor Double Crown – 190,000 PLN, Nordost Odin Supreme – PLN 109 500, or Kimber Cables KS 6068 – PLN 98,500).
Are the most expensive really 1,000 times better than the cheapest ones? Do they sound so much better? And finally – does the price of these tops really reflect their quality? There is no simple answer here. And I used to follow common sense on my way and I choose cables with optimal quality/price correlation. I also think that Perkune Audiophile Cables also contain such safe limits, although you can always say they could cost less. Expenses of approximately PLN 3,400 for the cables are not enough!
But in direct comparison to the price of the above mentioned Siltech Royal Signature Emperor Double Crown Lithuanian Ultimate XLR 1.5 m. Costs “pennies”. OKAY. I am finishing this peasant philosophizing because the interconnects have to be described.
In the beginning, I connected the Ultimate XLR interconnects 1.5 m between two DACs (and headphone amplifiers): Pioneer U-05 and NuPrime DAC-10H and a SPEC RSA-G3EX integrated amplifier. Then I connected them to the Hegel H160 amplifier and finally to the Pathos Classic One MKIII amplifier. I also used them for the Musical Fidelity MX-VYNL phono preamplifier. The exact list of accompanying equipment is listed at the end of this Audiophile XLR cable review.
Well, after inserting the new Perkune Ultimate into the hi-fi system and listening to them, the above arguments become even more difficult to justify, and the possible answers are even more convoluted. Well, the difference in sound immediately becomes noticeable and obvious. Perkune ensures high crystallinity and transparency of the message, great dispersion and diversity of sound, and most importantly – incredible shape and proportionality of sound. The effect of “wiping with a dust cloth on a dusty surface” is immediate and indisputable.
The tones become clearer, sharper and more resonant. Space “puffs up” and expands, while the individual instruments arranged on it gain in consistency, mass and precision. Both localization and sound. In addition, the background gets more black, and on such details suspended in the air have a chance to be better visible, and in principle – better audible. And they are!
I do not know what magical miracles Mr Goodwin uses, but the new Ultimate XLR is an extremely harmonious and transparent cable. It gives full and deep insight into music, and at the same time brings a very advanced message. The increase in the sound quality audible in the FAD Pandora Hope VI headphones (after the Perkune wire application to the headphone system) was phenomenal!
I would like to use only nouns to correctly determine the sound of the title interconnects. And it would be the following nouns: colour, intensity, brightness, clarity and clarity. Sharpness, plasticity, penetration, juiciness, freshness, expressiveness and vivacity. And even more massive, precise and tangible. However, writing about, for example, purity and clarity, I mean those features that do not capture anything in the sound.
And do not distort anything (they do not falsify). Perkune is one of the best tonally balanced interconnects that does not brighten or sharpen. And it’s better to write – illuminate and specify. They analyze, but do not hurt, do not sterilize. Yes, they intensify and intensify the tonal mass and colour, but at the same time, they do not exaggerate the content. They do not explain and do not dye the dark colours. Thus, you can write, mature optimism and racial universalism of sound.
Recommendation Audiophile XLR cable review
Apparently, the above-mentioned immanent features of interconnects can be heard when connecting them to headphone amplifiers. And used to listen to headphones (and preferably those with symmetrical cables).
The increase in sound quality is of the highest and most complete. I especially recommend Perkune Audiophile Cables Ultimate XLR 1.5m to the so-called headphone track from the DAC. But also to others (i.e. those with loudspeakers). They are some of the best XLR interconnects at my price, which I had on test. The Price of the cables is in Europe – 797 Euro, or about 3 400 PLN. Recommended!
- Amplifiers: Hegel H160 (TU test), SPEC RSA-G3EX (TU test), Feliks Arioso 300B, Cayin CS-120A (TU test), Haiku-Audio Bright MK4 (TU test) and Pathos Classic One MKIII (TU test).
- Columns: Living Voice Auditorium R3 (TU test), AudioSolutions Figaro S (TU test), Legend Audio System, Pearl 27 Audio Pylon (TU test), Martin Logan Motion 35XT (TU test) and Guru Audio Junior.
- CD player: Musical Fidelity A1 CD-PRO.
- Network player: Auralic Aries Mini.
- DAC: Pioneer U-05 (test TU), NuPrime DAC-10H and Encore mDSD.
- Computers: MacBook Apple Pro and Dell Latitude E6440. T
- Turntable: Nottingham Analogue Horizon.
- Cartridges: Ortofon 2M Black (TU test), Goldring 2500 (TU test) and Goldring Ethos
- Phono preamplifiers: Musical Fidelity MX-VYNL (TU test) and 1ARC Arrow SE (TU test).
- Tuners: Rotel RT-1080, Sansui TU-5900 and Tivoli Model One.
- Cassette players: Nakamichi Cassette Deck 1 (test TU) and Tandberg TCD 320.
- Mini system: Pioneer P1-K (test TU).
- Headphones: Fostex TH-610 (TU test), Meze 99 Neo (TU test), MrSpeakers Aeon Flow Closed, MEE Audio Matrix 2 (TU test), Audictus Achiever (TU test) and Final Audio Design Pandora Hope VI.
- Network conditioners: Xindak PC-200V (TU test) and Taga Harmony PF-2000.
- Accessories: Rogoz-Audio 3SG40 anti-vibration mount (TU test), Rogoz-Audio 4QB80 speaker bases (TU test), Solid Tech loudspeaker bases, Rogoz-Audio BW40.
- Anti-vibration feet, Solid-Tech Radius Duo 3 audio cabinet, mat gramophone Harmonix TU-800EXi and pressure disc for Clearaudio Clever Clamp. Mass conditioner for QAR Dynamic loudspeakers. RCA Sevenrods plugs/speakers
Author – Ludwig Hegel (December 22nd 2018)
To read the original audiophile XLR review in Polish please click here
What are the benefits of Balanced Audio?
- A louder signal with more headroom is transmitted because balanced cables are less susceptible to signal loss along the cable run. This means your device won’t have to be turned as high to achieve the desired volume, and the dynamic range of the source material will be maintained.
- Subtle harmonic distortion can be created by the device’s output circuit — like a speaker amplifier, for example. These distortions are cancelled out with a balanced connection to the receiving device, thus providing a clear and accurate representation of the audio.
- Details and transparency of the source are preserved, and audio artifacts are eliminated, providing a more precise, life-like, high-fidelity sound.
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